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rmore precisey put,where itallerI have leaned to realize early on that if you come fromcuture that is different from themanstreamcreeventually youwill have tos Andomemthe chongn easyproesGrowing upKorean American in thehaveofteft the ned to haveto choosebetween the wo cre that I live by.Evendu be the ouider that isstucksomewhere in the middle.On some days,I would choose to be thewhiterf myself dyeing()my hair blonde.On other days,I would feel the need to relocate()tthe sian part of me.The part of me,alskown as the"oof the grass,hasaways been kept hidden for whatever reason.Whenever I redyemyn hair black,Iget the feeling that Iam preserving sme f the rothat I may have le behind.Sometimes,we just want to preserve those roots that we have kept hidden.We try extra hard tobecome"a part of"something we might have left behind.However,it is more meaningful if we allowthat thing (culture in this case)to become a part of ourdaily lives.This way,we will become less likelyto forget“this”part of ourselves..24.What exactly does the author want to express about the roots of the grass?A.They were too small to be seen.B.They grew well in the summer daylight.C.They looked less attractive than the leaves.D.They were likely to grab people's attention.25.What challenge did the author face while living in America?A.She felt stuck between two cultures.B.She shared few similarities with friends.C.She lacked a sense of belonging to any cultureD.She struggled to fit into the mainstream culture.26.Why would the author dye her hair black again?A.To create a new self-image.B.To hide the Asian part of her.C.To preserve her cultural rootsD.To make her hair look natural27.What's the best title for the text?A.Adapting to different cultures is vitalB.When in Rome do as the Romans doC.The longest journey begins with the first stepD.Making culture be part of oneselfThese days,anybody with a smartphone can snap a selfie in a second.Back in the Dutch GoldenAge,they were called self-portraits and were the preserve of highly trained artists.Now the Mauritshuis Museum in The Hague,Netherlands,is staging an exhibition focusing onthese 17th century self-portraits,highlighting the similarities and the differences between modern-daysnapshots and historic works of art.The museum's director,Emilie Gordenker,said there has never been such an exhibition of GoldenAge Dutch self-portraits before and her museum was keen to tie the paintings to a modern-dayphenomenon,the selfie captured with smartphone cameras and spread via social media.The exhibition runs through Jan.3 and features 27 self-portraits by artists ranging from Rembrandtvan Rijn,to his student Carel Fabritius-best known for"The Goldfinch",which hangs elsewhere inthe Mauritshuis-and Judith Leyster,whose self-portrait is on loan from the National Gallery of Artin Washington.Huygh Pietersz Voskuyl,is the poster boy for the exhibition.His striking 1638 self-portraitfeatures a classic selfie pose,staring over his right shoulder out of the frame and gazing into a mirror,which Golden Age artists used to capture their images for self-portraits.While the similarities between selfies and self-portraits are obvious,the differences are also【2022年普通高等学校招生全国统一考试·压轴卷·英语（一）第4页（共8页）】